Periodic Table Spiral Galaxy

The objective is to show the shape of the whole and to express the beauty and cosmic reach of the periodic system.

— Stewart (2006): The Chemical Galaxy

Chemical Galaxy II: A new vision of the periodic system of the elements by Philip Stewart.
Periodic Table of the Elements - a traditional view by Wikimedia Commons User:Cepheus.

The traditional periodic table of the elements breaks the elements into rows as their chemical and physical characteristics repeat themselves. But since the sequence of elements is really a continuous series that gradually increases in mass, a better way of displaying them might be as the spiral, sort of like the galaxy.

When the chemical elements are arranged in order of their atomic number, they form a continuous sequence, in which certain chemical characteristics come back periodically in a regular way. This is usually shown by chopping the sequence up into sections and arranging them as a rectangular table. The alternative is to wind the sequence round in a spiral. Because the periodic repeats come at longer and longer intervals, increasing numbers of elements have to be fitted on to its coils. …

The resulting pattern resembles a galaxy, and the likeness is the basis of my design. It seems appropriate, as the chemical elements are what galaxies are made of.

The ‘spokes’ of the ‘galaxy’ link together elements with similar chemical characteristics. They are curved in order to keep the inner elements reasonably close together while making room for the extra elements in the outer turns.

— Stewart (2006): The Chemical Galaxy

While the spiral version of the periodic table is not used a lot, it is scientifically valid. There are other ways of representing the spiral and the periodic table itself. It all depends on what you want to show.

Benfey's spiral table first appeared in an article by Glenn Seaborg, 'Plutonium: The Ornery Element', Chemistry, June 1964, 37 (6), 12-17, on p. 14. (via Wikimedia Commons)

Indeed, Mendeleev’s monument in Bratislava, Slovakia has the elements arranged as the spokes in a wheel.

Monument to the periodic table and Dmitri Mendellev (photo by mmmdirt, caption via Wikipedia).

Mapping Internet Space

A map of the internet from the Opte Project.

The Opte Project has produced a number of excellent maps of the internet. There is a profound beauty in the immensity of the interconnections that’s reminiscent of the suffusion of stars that can be seen in Milky Way on a dark night on an isolated beach. Unfortunately, their website seems to have not been updated since 2005.

Viruses in Glass

H1N1 (swine flu) virus sculpture by Luke Jerram.

Some people knit bacteria, our students create models of plant and animal cells as an assignment, and Luke Jerram blows viruses in glass.

Interestingly, he does not use colors, just clear, transparent glass, because while almost all pictures you see of viruses, from scanning electron microscopic images to text-book diagrams, have color, the color is added for scientific visualization. So, he believes, his glass replicas are more realistic. This is described in this interview.

About the works:

The pieces, each about 1,000,000 times the size of the actual pathogen, were designed with help from virologists from the University of Bristol using a combination of scientific photographs and models.

— Caridad (2011): Harmful Viruses Made of Beautiful Glass

The video below shows how it’s done.

There is a lot more information on the art and the science at the Glass Microbiology website.

The Art of Specimen Preservation

Cover to the book New World Transparent Specimens by Iori Tomita.

After the joy of playing around with microscopy and staining last fall, it’s no surprise that someone has taken the science of staining and specimen preservation and turned it into art.

Iori Tomita has done an amazing job at making visible the internal organs of the specimens.

Using a method that dissolves an animals natural proteins, Tomita is able to preserve these deceased animals with striking detail–highlighting the finest and most delicate skeleton structures.

To further enhance the visual appeal of these ornate skeletons, Tomita selectively injects different colored dies into hard bones and soft bones to create a 3-d effect. Without the addition of the dye, the animals remain translucent.

— Michael (2010): New World Transparent Specimens Turns Preservation Into Modern Art

Transparent specimen by Iori Tomita. Note the exquisite detail (via Stinson (2011)).

Tomita’s website has some excellent photographs, and there appear to be two books available from Amazon.com.jp. More pictures can be found online here and here. Lisa Stinson at Wired has more pictures and details on the method.