Visuwords is a great visual dictionary. It not only gives definitions, but shows the links between antonyms, synonyms and etymology.
I plugged in a few of the words from this cycle’s vocabulary lists (parasite, circumnavigate, host, viceroy etc.) and the results were quite neat.
Also, if you double click a word/node it expands to show you the things it’s connected to. This can lead to a quite complex diagram. It would have been great to use it for the word navigator, because it gives a graphic organizer that pretty much covers what we talked about for social world this cycle.
Wikileaks’ recent leak of U.S. State Department cables offers the student with a politics/geography interest an amazing glance into the role of U.S. diplomats. There are however, a lot of cables.
The Atlantic magazine has come up with an interesting way of perusing the information. Their Cablegate Roulette webpage puts up a random cable every time you press the “Load a new story” button.
What’s also nice is that they provide a sentence or two that gives the context of the cable so you don’t have to puzzle it out on your own.
The cable excerpts are brief, well written and quite informative about the political goings-on in different parts of the world. They could make an interesting supplement to the geography curriculum. The self-motivated student with a geography interest would find these quite fascinating because you have to have a basic knowledge of the world and recent history to understand what’s going on.
An example:
An executive with Kazakhstan’s national gas company has dinner with the U.S. ambassador at the Radisson hotel in Astana, the capital of Kazakhstan.
FROM: ASTANA, KAZAKHSTAN
TO: STATE DEPARTMENT
DATE: JANUARY 10, 2010
CLASSIFICATION: SECRET
SEE FULL CABLE
¶7. (S) The Ambassador asked if the corruption and infighting are worse now than before. Idenov paused, thought, and then replied, “No, not really. It’s business as usual.” Idenov brushed off a question if the current maneuverings are part of a succession struggle. “Of course not. It’s too early for that. As it’s always been, it’s about big money. Capitalism — you call it market economy — means huge money. Listen, almost everyone at the top is confused. They’re confused by their Soviet mentality. They’re confused by the corrupt excesses of capitalism. ‘If Goldman Sachs executives can make $50 million a year and then run America’s economy in Washington, what’s so different about what we do?’ they ask.”
Answer survey questions to better understand your characters in these Character Tests by R.J. Hembree as part of the online Writers’ Village University project (found via GalleyCat).
Building realistic characters is an essential component of writing fiction. The Character Tests are a part of a Character Building Workshop page, which also contains Character Building Tips, character archetypes, and a set of character disorders that help define them.
The challenge that comes with working with something like this is that following archetypes too closely has the potential to lead to cliched writing. This site could be very useful if used with caution. From the site’s creator:
The Character Building Workshop is an independent study of your characters using these online questionnaires. The process of filling out the forms will help you, the writer, learn about your characters on a more in-depth level. Once the questions have been answered, you will know more about the roles your characters play in your story. No longer will they be names on a page; they will become living, breathing beings as you continue writing your story.
—Hembree, 2010)
Free Speculative Fiction Online is a great, centralized source for tracking down science fiction online. It links to online repositories and the websites of a wide variety of authors: from classics like Asimov to stalwarts like Gaiman. There are hundreds of authors, short stories, and novels (including any number of Hugo and Nebula Award winners), and all of them are free.
Ever have trouble remembering a word when you know the meaning? The reverse dictionary seems to be a great way to track it down. (Found via The Daily Dish).
While discussing polar exploration, I mentioned the story of Amundsen and Scott’s race for the south pole. The fascinating blog, Letters of Note, has Scott’s last letter, written bit by bit, on the ice, to his wife back home. It starts, “To: my widow.”
P.S. Letters of Note is a great resource for examples of great letter writing.
Tips and links range from how to start a writing bible, to the correct writing posture. I’m partial to tip on how to turn your computer into a typewriter, although it’s something that’s never worked for me:
The free Q10 program will convert your distracting computer into an old-fashioned typewriter–focused by real typing sounds and disconnected from the Internet.
–Boog (2010) in GalleyCat
And laughter without philosophy woven into it is but a sneeze at humor. Genuine humor is replete with wisdom, and if a piece of humor is to last, it must do two things. It must teach and it must preach – not professedly. If it does those two things professedly, all is lost. But if it does them effectively, that piece of humor will last forever – which is 30 years.
– Mark Twain
The term is not loaded with connotations of wisdom and wit, but “adolescent humor” is inescapable in the middle school. The question is, “What to do about it?”
With the recent furor over Mark Twain’s autobiography, which was embargoed for 100 years, I’m taking my cues from him (see above), especially since I like this philosophical approach to life in general.
I suspect it has much to do with the development of abstract thinking. During adolescence we develop a much greater ability to see and to create subtexts. With humor, the philosophy is behind the scenes, which makes it deep and resonant, but harder to see.
Background context is also important with humor, especially parody and satire: however, just because students can’t reference Plato or Socrates (the philosopher not the footballer), does not mean they don’t have their own cultural markers they can critique. Getting past “adolescent humor” means adding layers.
I am, of course, no expert on humor. This cycle I’m working with the mentor author group and my project is focusing on humorous dialogue. I have no high hopes, but I’m giving it the old college try.
None of this made it any easier last week, when I had to explain editorial cartoons. Our class is trying something new for a newsletter, a newspaper style. I vetoed Garfield-like strips as too simple, and insisted that their cartoons had to make a statement first and aim for humor second. The first student who volunteered for the job gave up after a couple hours of pulling his hair out. I think I’ll try showing them some editorial cartoons if I can find a good website. We’ll see how it goes.