That would at least be our address if we were on the “extended” Manhattan Street Grid, according to this website.
Just goes to show that everything is relative.
Corner of 4911 Avenue and S. 9938 Street
Category: Art
1984 or A Brave New World
World-shaker tries to draw the modern parallels to 1984 and Brave New World in graphic form.
Orwell’s (1948) distopian view of the future in 1984, warned against the government developing the ability to exert constant, repressive monitoring of everyone, controlling the means of communication and, perhaps more importantly, the use of language. Huxley’s (1932) Brave New World, on the other hand, saw a mass media using your apparent predilection for trivialities to distract you from the important things. These two books are staples of secondary school literature, and it’s easy to see modern parallels; “kinetic military action” is currently my favorite Orwellian term.
Unfortunately, drawing modern parallels to historic literature is fraught with difficulty because it’s so easy: the human brain is predisposed to seeing patterns. World-shaker’s attempt is interesting, but flawed. One of his commenter points out that he compares the entertainment website TMZ to Time.com’s news site, which only gets half as many visitors. However, the New York Times’ site gets three times as many visits as TMZ so perhaps he’s fudging the statistics a little to show the trend toward frivolous media.
There are other examples, but the graphic makes does provide a basis for an interesting conversation. The most interesting aspect is that it shows the U.S.A trending more toward Huxley, while repressive Middle-Eastern regimes seem to be trying to make Orwell’s vision more of a reality.
Anomalous Motion: Optical Illusions
While I do like to use animated gifs, these apparent animations are actually still images that, because of the arrangement of colors and shapes, your brain interprets as moving. Akiyoshi Kitaoka has an extensive gallery. It comes with the warning though: ‘works of “anomalous motion illusion”, … might make sensitive observers dizzy or sick.’ (Kitaoka, 2011).
Dr. Strangelove
We watched Stanley Kubric’s, Dr. Strangelove, today as part of our mini film festival. Most of the middle and high school students got the choice of what to watch, but the Dr. Strangelove was required for the American History students.
My second question during our discussion after the movie was, “What does this have to do with the Cold War?” I got a number of blank stares. The next question was, “Do you know what the Cold War was?” Apparently they’ll be getting to that next semester.
Dr. H tells me that she’s heard the complaint from the college history department that incoming students don’t know much, if anything, about the Cold War. It’s now history. It occurred before any of them were born. Is this a lament? An observation about aging? I’m not sure.
Morning Fog
There’s a place on the road to school where you crest a little rise and the St. Albans golf course opens up before you. “Zen-like,” I’ve heard it described. On one lovely fall morning last week the view was absolutely ridiculous. I had to stop.
Resisting the coming winter, warmer air from down south just pushed over the hills overnight, trapping the cooler air in the valley, creating a thermal inversion that trapped a layer of fog just below the tops of the hills. Small tendrils of mist were rising off lake in the bottom of the valley, feeding the fog layer as the cooler valley air condensed the water vapor evaporating off the still warm lake.
Combine the fog, mists, early morning sunlight just beginning to reach into the valley, and the brilliant fall colors contrasting against the still-green lawns, and the result was absolutely amazing.
Laumeier Sculpture Park
“It’s one of the places I’m most proud to bring people when they visit St. Louis,” commented (more or less) one of the other faculty on our field trip to the Laumeier Sculpture Park. My hope was that this trip, combined with our visit to the Leonardo Da Vinci Exhibition, would be a nice way to demonstrate that the distance between art and science isn’t so large after all.
I required all of my students (physics and middle school science) to identify their favorite piece and sketch it. We’ll be covering forces, balance and mechanics in the coming quarter, making this part of the spark-the-imagination part of the lesson.
Also, detailed sketches are not easy. An accurate drawing requires a lot more careful observation than even taking a picture. By trying it themselves they’d get a much greater appreciation of Da Vinci.
The large pieces are quite impressive. The brightly painted metal tank combination at the top of this post just towers over everything. However, one of the neatest was carved out of one enormous piece of wood. It’s made to emulate the distinctive, ridged bark of the cottonwood tree. The artist accentuates the ridges and valleys quite elegantly, making a wonderfully warm and organic abstraction.
There’s also an indoor museum (which was closed while we were there), and, apparently, pieces are added and taken away so the park is worth revisiting. The only problem is that you’re not allowed to climb on the sculptures. This is a quite understandable precaution to protect the pieces, but, as some of the students observed, the sculptures “invite” you into and onto them. It’s a stark contrast to the St. Louis City Muesum, which is designed specifically to be played on.
Mushroom Hunting: A Biological Survey of the Campus
It’s remarkable how interest drives motivation and motivation gets things done. We’re in an intercession right now and ten students signed up with me to do a biological survey of the school grounds. With a small creek on one side, and a fairly tall ridge on the other, the school has a nice variety of biomes.
Now, to be clear, I’m not a biologist. In fact, that’s why I was so interested in the biological survey. Everything in this area is new to me. But it also means that I approached this project as a novice. Mrs. E. was nice enough to lend me a veritable library of reference books, covering everything from the wildflowers of Missouri to the amphibians of the mid-West, but she was off teaching another batch of students how to cook, so I was on my own.
All the students in the group were volunteers, but a fair chunk of them just wanted to get outside, even though it was overcast and threatening rain. To get the students more engaged I let them choose either the environment they’d like to survey, or the types of organisms they’d like to specialize in. I also gave them the option of working independently or in pairs.
The Creek
One pair choose to canvas the small creek that runs past the school. I’d set a minnow trap the night before to collect fish for our tank, and they hauled that in. The stream water was somewhere around 14°C, while our tank was closer to 23°C, so, to prevent the fish from going into thermal shock, we left the minnows in a bucket so it could, slowly, thermally equilibrate. They monitored the temperature change with time, and I think I’ll use their data in my physics and calculus classes.
They also collected a pair of amphibians, which we photographed and then released. They tried to catch some crawfish, but were unsuccessful, despite the fact that one of them searched for “how to catch crawfish” on their phone; unfortunately they did not have time to follow the detailed video instructions they found on the web that described, in detail, how to build a crawfish trap.
Trees and Shrubs
Because of the incipient rain, we did not take our reference books out with us. Instead, we collected leaves and sketched bark patterns so we could do our floral identification later.
A number of students really got into that. So we have a fairly large collection, though almost all of which come from the riparian area that bounds the creek. I would have liked a broader survey, but we only had so much time.
Mushrooms
More than a few students were interested in looking for mushrooms – even one of the tree specialists came back a mushroom sample – but one student really got into it, canvasing all the dead logs from the creek, through the meadow, and up past the treeline on the side of the hill.
And we now have quite the collection of fungi. They’re as yet unidentified, but they’re elegant bits of biota. Our fungi specialist is interested in coming back in and sketching them.
Identification
We had two hours. Not even enough time to do a complete survey, so we barely got started on identification. It will probably go slowly.
While our methods were not systematic, and our coverage of the grounds incomplete, this exercise was a good start to cataloging the local biology. I don’t know if I’ll be able to expand on the survey any time soon, but this type of project would be a great for middle school science next year when we focus more on the biological sciences, particularly on taxonomy.
What a Sonnet Might Look Like
The one rotated piece represents the volta of the sonnet, the moment at which the poem pivots from exploring a dilemma to developing a resolution. Volta translates from Italian to turn in English so the physical translation of that structural device is quite literally done.
— Bert Geyer (2011).
Last year, my middle school class spent a fair amount of time looking at sonnets: pulling them apart; comparing similarities and differences; discovering their poetic form; and then each creating their own.
Bert Geyer took this type of analysis to the next step. He created a visual translation of a Petrarchan sonet using color and shape to represent the patterns of the sonnet.
The artist’s description of the piece is quite fascinating.
The varying stains at the ends of the lines indicate rhyme scheme. I chose to use the Petrarchan format–abbaabbacdcdee. Overall, every feature of the piece takes precedent from the composite structure of a sonnet (not any specific sonnet). But the piece isn’t an exact analog. My aim through this piece is to observe the nuances and complexities of translating from one medium to another. How certain features may be reproduced in another medium, albeit differently. And how translation to a new medium has limitations and new opportunities.
— Bert Geyer (2011).
I particularly appreciate that the statement so clearly demonstrates the care and effort that went into the details of the piece. The illustration that the creation of art requires just as much thought and energy as in any other field.
This should make an excellent, spark-the-imagination, addition to any discussion of sonnets. Indeed, it can also serve as a template for how to analyze different types of poetry to look for their forms. And the meaning of all the different parts should just jump out to Montessori (and any other) students who’ve used geometric symbols to diagram sentences.