Tag: stories

Auto-Tune and the trajectory of fads

This intelligently done history of Auto-Tune is wonderful for several reasons. First, it has a simple, elegantly executed story arc, where it describes the trajectory of a fad from introduction to over-exposure to parody/remix and finally to a new equilibrium. And it discusses these concepts in a clear and entertaining way.

Know Your Meme: Auto Tune (featuring “Weird Al” Yankovic) from Rocketboom on Vimeo.

Second, Auto-Tune is a great example of something that was created for one purpose but finds a new life in a completely different discipline. The technology was created for analyzing seismic signals in petroleum exploration before being applied to music. It is amazing what can come from working with people of diverse backgrounds, and having a broad appreciation of the world. Group work is important.

Third, in touching on parody, it brings up an issue that adolescents, in particular need to understand; parody is not just a cheap joke, it has something important to say. It uses humor to address significant issues:

While making fun of something is easy [mockery], parody requires a study of both technique and form, before creating its own recontextualization.

Third, the overexposure stage of fads and memes is something everyone should be aware of. The meme infiltrates so many aspects of the culture that it becomes irritating. As a Middle School teacher I see it primarily in the language my students use. By introducing this concept to my student, we now have a common language for talking about at least one type issues in the classroom.

Finally, equilibrium. An important concept in natural and social science, the concept is neatly encapsulated in how the fad starts off small, overshoots and gets smaller but does not disappear as there remains some lower level of use.

Silk

How to make silk using the traditional method, by the American Museum of Natural History.

I’ve loved Barry Hughart’s novel, “Bridge of Brids” from the first time I read it a number of years ago. It is the story of a peasant boy, Number Ten Ox, who, with the assistance of the drunken sage Master Li, has to save the children of his village by unraveling the mystery of the powerful Duke of Chin. Not only is it beautifully written, with a poetic story arc and engaging characters, but it also has a wonderful description of initial stages of the silk making process, even though the book describes itself as, “A novel of an ancient China that never was.” The descriptions of Chinese traditions are accurate and detailed enough that you learn a lot about the country. Pulling apart what is historically accurate and what is fiction makes and interesting challenge but is not too difficult.


Spider silk from Madagascar.

Critical analysis of the Phantom Menace

When thinking about literature and stories, the Heroic Journey is often a useful lens for observation. The unassuming hero receives “the call”, gains allies, meets challenges and wins in the end (although the cost may be high). This basic template is strewn throughout literature; my personal, favorite is Bilbo Baggins’ journey in Tolkien’s “The Hobbit”.

Another great example of the Heroic Journey is Luke Skywalker’s in the first movie of the original Star Wars trilogy. And it is the deviation from the template that makes the Star Wars prequels, starting with The Phantom Menace, so hard to watch. At least, that is what one critic, who produced a brilliant, 70 minute video critically comparing the two movies, believes. He elegantly makes his arguments using video clips from the two movies.

WARNING: THERE IS SOME OBSCENE LANGUAGE AND INAPPROPRIATE REFERENCES, enough so that, as it is, this video is probably most likely inappropriate to show to students. With that in mind, the link is here. An edited version would be ideal. Without the obscenity, the arguments in the video are a useful discussion of the movies, of story arcs, and of deconstructing art. It is quite entertaining too.

For those leery of the language, the author points out:

  • There is no heroic journey for any character who we can identify with. In science fiction in particular, there needs to be one “normal” character that guides us through this new universe. Even Anakin, who starts off as a slave and in the end destroys the enemy ship is just a passive observer. Because he does not understand what is going on and just goes with the flow he is unaware if the danger so we don’t feel the tension either. According to the author, “In this opening segment I discuss the major flaw of The Phantom Menace which is the characters and the lack of connection with the audience.”
  • The entire movie is driven by the plot devices that move the characters from one scene to another. The characters are either passive or have to make some illogical decisions to follow the storyline. The characters, and their personalities do not drive the movie. “Part two now focuses on the second biggest problem with the Phantom Menace, the story. The mystery plot lacking direction and emotional involvement was really the other big problem. No tension, no drama, no stakes. Characters aimlessly follow along the events.”
  • The problem with the special effects was that they did not primarily serve the story. According to George Lucas in the 70’s, “A special effect without a story is a pretty boring thing.” The light saber duels were the best examples. In the Phantom Menace they were carefully choreographed works of art. Pretty to look at, but with no deeper meaning and very little emotion. Compare that to Luke’s anger and his realization that he is turning into his father at the end of Return of the Jedi. “… light saber duels have less to do with the fight itself but moreso with the internalization of the characters.”
  • Did George Lucas have too much control over the movie? In the original movies he had to deal with independent actors and a lot of technical challenges. In this movie, were the others too intimidated to challenge questionable ideas, so that Lucas had everything his way? Is adversity necessary for art?