Hope dares to blossom
Even inside the abysmal abyss.
Hope secretly feeds
And strengthens
Promise.
– Sri Chinmoy
Poetry in the mornings right at the end of community meetings are going well. We’re into our third round and we’re beginning to get some original poetry. Some students are also asking to do more poetry in Language Arts. We’ve also discovered Short Poems.org but, although I have not set a minimum word limit, we’ve established a good precedent for how short a poem can be and the group is policing itself quite nicely.
Tammy Carter Bronson, author and illustrator of Tiny Snail, and Matthew Bronson, author of The Kaleidonotes, gave an excellent talk about publishing and the heroic journey to our middle and elementary classes. We use the heroic journey as a story arc a lot, but it was great for the students to hear published authors talking about how important it was to them.
The Bronsons have done over 500 talks to schools (but this was their first to in a Montessori program) so they have a well polished presentation. I particularly liked how they stressed the need for revision when writing. Tiny Snail took nine months to write, and 16 revisions before Ms. Bronson was happy enough with it to start illustrating. And it’s a kids picture book. They talked about peer reading and read-out-loud revision strategies. In our after-talk discussion, while we assembled a couple graphic organizers on the heroic journey and publishing, it was great to see the students recognize, however reluctantly, that there might actually have been a good reason for them practicing these techniques all year.
It was also very interesting to hear that the authors are delving into the growing opportunities of the web for building a following and publishing their work. You can find Ms. Bronson reading Tiny Snail and Pollywog on their YouTube channel. While it’s not up yet, I’m really looking forward to seeing the making of her new book, where she is video recording the entire process.
This was a great opportunity for our students, especially the prospective writers and directors, and I will try to plan something like this every couple years. I also feel a little guilty. The Bronsons emphasize how important it is to put your best work forward. Even though it’s easy to self-publish or publish online what you put up will shape your reputation. That’s why multiple revisions are important. Yet despite my best efforts, I don’t have the time to revise each blog post until I’m completely happy with it. Blogging is a different beast. So I beg the reader’s lenience (of course, since the average number of readers per blog is one, this may not even be a problem).
I’m always a little suspicious of things titled as “for adolescents” or similar, because they tend to satisfy someone’s memory of being young and don’t necessarily provide what adolescents actually need. Of course I’m guilty of the same bias but I do take some effort be aware and to be critical of my own choices because of it. That said, I listened to a couple of poems from Elise Paschen’s compilation of poetry for adolescents, “Poetry Speaks Who I Am: Poems of Discovery, Inspiration, Independence and Everything Else” on NPR’s Morning Edition today and some of them are pretty good.
The poetry anthology comes with a CD, and Paschen reads a few on the program. She also goes on to talk about the poems a little, giving a good example about how to respond to poetry. The first poem they discuss on the program, Rita Dove’s Flash Cards, though written from the point of view of a younger student, is quite good. There are also a couple of poems on the NPR article.
Since we’re still having poetry presentations in the morning I think it would be useful to play part of this interview to help shape the discussion.
Apprentice texts short pieces, a sentence or a paragraph long, that introduce students to the style of good writers. Remember that wonderful turn of phrase or vivid image that just leaped out at you? Students find the cadence and the style and mimic it with a topic of their own.
Another similar approach is to type out entire texts, word for word, just to get a feel for the rhythm of good writing. It’s something to try with essays.
Humpty Dumpty sat on a wall;
Humpty Dumpty had a great fall.
All the King’s horses
And all the King’s men
Couldn’t put Humpty together again!
I often tell my students that the meaning of a piece of literature, or really any piece of art, depends both on the intended meaning of the author and the experience-colored interpretation of the observer; any piece can have as many meanings as there are observers.
We also sometimes talk about the multiple meanings the author may be trying to convey; when they use metaphor in a single sentence or thread subtle, acerbic, poignant satire through a piece.
I can’t remember ever getting to the point of talking about unintentional meanings that seep into the work from the author’s unconscious, but these, sometimes I suspect, tell us the most about the nature of our shared humanity than intended meaning can.
Adolescents like to tick you off. Push all of your buttons to see what happens. And you want to ask, “Who are you really?” and, “Do your really not care?” We probably did the same when we were that age, but do you also remember how idealistic we were? The video below, from Penguin Publishing (found via The Dish) captures a bit of that duality of the adolescent mind. The use of white space and of just simply words also ties it quite nicely into our ongoing discussion of poetry in a “spark the imagination” kind of way.
A few of my students have been complaining that we don’t do enough different things from week to week for them to write a different newsletter article every Friday. PE, after all, is still PE, especially if we’re playing the same game this week as we did during the last.
So I’ve been thinking of ways to disabuse them of the notion that anything can be boring or uninteresting in this wonderful, remarkable world. A world of fractal symmetry, where a variegated leaf, a deciduous tree and a continental river system all look the same from slightly different points of view. A counterintuitive world where the smallest change, a handshake at the end of a game, or a butterfly flapping its wings can fundamentally change the nature of the simplest and the most complex systems.
“Chaos is found in greatest abundance wherever order is being sought. It always defeats order, because it is better organized.”
— Terry Pratchett (Interesting Times)
There are two things I want to try, and I may do them in tandem. The first is to give special writing assignments where students have to describe a set of increasingly simple objects, with increasingly longer minimum word limits. I have not had to impose minimum word limits for writing assignments because peer sharing and peer review have established good standards on their own. Describing a tree, a coin, a 2×4, a racquetball in a few hundred words would be an exercise in observation and figurative language.
To do good writing and observation it often helps to have good mentor texts. We’re doing poetry this cycle and students are presenting their poems to the class during our morning community meetings. It had been my intention to make this an ongoing thing, so I think I’ll continue it, but for the next phase of presentations, have them chose descriptive poems like Wordsworth’s “Yew Trees“*.
iPod Touches are quite convenient little PDA’s. Beautifully tactile, they are a pleasure to use. A few of my students have them and I’ve had to think long and hard about allowing iPods in the classroom because, for a little while there, students were using them under the table for all sorts of illicit applications (games). I was tempted to ban them outright, and I have not yet made a final decision but I thought I’d try co-opting the devices first.
So I now have a few students using the iPod Calendar, taking notes, and now one has found a nice little flashcard app called Cramberry. Apparently, the major selling point was its catch-phrase, “Studying doesn’t have to be painful.” The app costs $4.99 for the full version (the Lite version is useless). I’ve also tested Flashcard Touch myself, which is free this month (March), and it seems to work well (see the screen capture).
PDA’s are still on probation; they can be very useful. The outstanding question is one of trust. Will students use them appropriately, or are they too much of a temptation. A key Montessori principle is that students should take responsibility for their learning and trust is an essential component. I am cautiously optimistic.
