Where does morality come from?

“Do to others as you would have them do to you”. The golden rule (in some form or the other) is almost universal. And because it is found throughout different cultures and belief systems suggests that much of what we view as morality and ethics are innate to the human mind. But what are we born with, and what do we learn from culture? Is the golden rule necessary for successful social groups, so that cultures with the golden rule are more successful that ones that don’t have it? These two questions are fundamental to how we educate, particularly in a method such as Montessori’s that has such a strong moral dimension.

Maria Montessori herself came from a strong catholic background, but the success of her approach in so many different cultures does argue that, at least for the younger kids, the innate aspects of morality and needs of the child are most important. By the time students get to the Middle School, however, the influence of the local culture has become much more important.

Morality and culture affect students’ motivations and behavior, yet much of what is considered acceptable in many cultures conflict with the core Montessori principles of respect for oneself and for others. Much of popular American culture for example, is driven by television where moral messages can be decidedly mixed. How often is it appropriate to use violence (or even torture)? Television shows give decidedly different answers from Montessori. But there are many other, more subtle differences. As Montessori educators we will be faced with the question of what to do when Montessori philosophy differs from the beliefs of the student, their family and the larger culture.

My thoughts are that the “cosmic education” that is a part of the Montessori method should be based on the “universal” aspects of morality that can be shown to make for successful individuals and societies. Some interesting work by Jonathan Haidt at the University of Virginia looks at how certain systems of morality have contributed to the success of societies. As Nicholas Wade summarizes:

… natural selection and the survival of the fittest may seem to reward only the most selfish values. But for animals that live in groups, selfishness must be strictly curbed or there will be no advantage to social living. Could the behaviors evolved by social animals to make societies work be the foundation from which human morality evolved?

Haidt suggests there are “five innate and universally available psychological systems” of ethics, and different cultures add stories, virtues and ways of policing these ethics. The Moral Foundations Theory website has a good summary of the five systems, harm/care, fairness, loyalty, authority/respect and purity/sanctity.  In a beautiful example of adding transparency and technology to scientific research, he even has a page for challenges to the theory. Each of the moral foundations these deserves separate consideration of how they evolved, how they benefit society, and how they mesh with Montessori philosophy.

Nicholas Wade has a good article on the subject and on Haidt’s work in the New York Times.

Critical analysis of the Phantom Menace

When thinking about literature and stories, the Heroic Journey is often a useful lens for observation. The unassuming hero receives “the call”, gains allies, meets challenges and wins in the end (although the cost may be high). This basic template is strewn throughout literature; my personal, favorite is Bilbo Baggins’ journey in Tolkien’s “The Hobbit”.

Another great example of the Heroic Journey is Luke Skywalker’s in the first movie of the original Star Wars trilogy. And it is the deviation from the template that makes the Star Wars prequels, starting with The Phantom Menace, so hard to watch. At least, that is what one critic, who produced a brilliant, 70 minute video critically comparing the two movies, believes. He elegantly makes his arguments using video clips from the two movies.

WARNING: THERE IS SOME OBSCENE LANGUAGE AND INAPPROPRIATE REFERENCES, enough so that, as it is, this video is probably most likely inappropriate to show to students. With that in mind, the link is here. An edited version would be ideal. Without the obscenity, the arguments in the video are a useful discussion of the movies, of story arcs, and of deconstructing art. It is quite entertaining too.

For those leery of the language, the author points out:

  • There is no heroic journey for any character who we can identify with. In science fiction in particular, there needs to be one “normal” character that guides us through this new universe. Even Anakin, who starts off as a slave and in the end destroys the enemy ship is just a passive observer. Because he does not understand what is going on and just goes with the flow he is unaware if the danger so we don’t feel the tension either. According to the author, “In this opening segment I discuss the major flaw of The Phantom Menace which is the characters and the lack of connection with the audience.”
  • The entire movie is driven by the plot devices that move the characters from one scene to another. The characters are either passive or have to make some illogical decisions to follow the storyline. The characters, and their personalities do not drive the movie. “Part two now focuses on the second biggest problem with the Phantom Menace, the story. The mystery plot lacking direction and emotional involvement was really the other big problem. No tension, no drama, no stakes. Characters aimlessly follow along the events.”
  • The problem with the special effects was that they did not primarily serve the story. According to George Lucas in the 70’s, “A special effect without a story is a pretty boring thing.” The light saber duels were the best examples. In the Phantom Menace they were carefully choreographed works of art. Pretty to look at, but with no deeper meaning and very little emotion. Compare that to Luke’s anger and his realization that he is turning into his father at the end of Return of the Jedi. “… light saber duels have less to do with the fight itself but moreso with the internalization of the characters.”
  • Did George Lucas have too much control over the movie? In the original movies he had to deal with independent actors and a lot of technical challenges. In this movie, were the others too intimidated to challenge questionable ideas, so that Lucas had everything his way? Is adversity necessary for art?

Human? nature

Morality in our genes
Morality in our genes

To follow up on the previous post on the evolutionary benefits of kindness, this essay by Marc Hauser describes some of the science that indicates that morality is innate. Not religious affiliation, gender, nationality nor political views affect how people respond to moral dilemmas.

“We tend to see actions as worse than omissions of actions.” People tend to believe that deliberately hurting a healthy person to save one or more others is morally repugnant if the others would only be hurt by your inaction.

Self-portrait in poetry

Rilke

I recently discovered Ranier Maria Rilke’s “Self-Portrait 1906” in Edward Hirsch’s collection Poet’s Choice (which I picked up on sale at Barnes and Noble last week). The author’s integrity in this poem is quite striking. Hirsch has a very loose translation (from the German) by Robert Lowell that is very different from the more literal translation here, but both versions capture the essential meaning and honesty of the poem.

Certainly there, in the eyelids’ shape,
Of some ancient, long-ennobled race.
Childhood’s anxious blue still in the eyes,
And here and there, humility, not a fool’s
Yet a servant’s though, and feminine.
The mouth’s, a mouth, large and exact,
Unconvinced, but speaking out for
Justice. The brow’s without guile,
Gladly gazing down to quiet shadows.

This, its context’s barely suspected:
Neither in adversity nor success
To gather to precise penetration:
Yet serious reality’s being planned,
As if with scattered Things, from afar.

This version of the poem is from A.S. Kline’s “Ranier Maria Rilke: Twenty More Poems” which is free for non-commercial reproduction.

I also like this poem for middle school because serves both the Language and the Personal World curriculum. Personal World is designed to give students the time to examine themselves and their place in the society, the world and even the cosmos, and honest self assessment is always something worth working on.

The evolutionary benefits of kindness

Evolution is often summed up in the phrase, “survival of the fittest”, well sometimes “fittest” can also refer to kindness. Having empathy is evolutionarily beneficial. As individuals, the more we give to others the more respect we gain for ourselves. As a group or a society, when people are able to cooperate they do better than when they cannot. What scientists have recently been uncovering is that empathy and the urge to cooperate are built into our very genes.

This research ties in elegantly with Montessori philosophy. The benefits of kindness and cooperation seem obvious when you think about it, but the fact that we are genetically predisposed to act in this way helps explain why the emphasis on cooperative work works so well in early childhood classrooms.

If you put this research together with the way society is currently evolving, where problems have to be dealt with with teams from different backgrounds, perspectives and disciplines, it really points out the importance of collaborative work in the middle school.