The slide on the third floor of the City Museum. A co-ordinate system is overlayed, and points showing the curve of the slide are selected.
I asked my students to take pictures of the curves they found while on our field trip to the scrap metal playground that is the City Museum. The plan is to see if we can determine what functions best fit the curves. To do so, we need to transfer the curves from the images to a co-ordinate system. Since I’m primarily interested in what type of functions might best fit the data, the scale of the co-ordinates does not matter that much.
Feet, inches, meters, centimeters, pixels, or any other units can be used. In fact, I use a purely arbitrary set of coordinates in the image above. All I require is that the grid be evenly spaced (although the vertical and horizontal spacing don’t have to be the same, it’s more straightforward if they are).
Now we take a set of points that lie on our shape and try to match them to some sort of curve using a spreadsheet, and, if we’re able, least squares regression.
There were lots of shapes to choose from.
There were lots of shapes to choose from, including the nice sinusoid in the background.
Vi Hart has some excellent videos where she gives you things to doodle during math class (see her YouTube channel). There’s lots of wonderful geometry and algebra. The Fibonacci sequence video below is a great example:
Jupiter and Venus have been sitting near the western horizon, shining so brightly that even I have noticed them. Phil Plait explains with some back-of-the-envelope math, why Venus is brighter even though it’s smaller than Jupiter. It’s a nice example of how a little math can do a great job explaining how the world (and others) works.
The Missouri Council of Teachers of Mathematics (MoCTM) has a Math & Art Contest that focuses on Geometry. It has fairly simple expectations, and it’s aimed at Middle School students and lower. The tie between the math and the art does not require much depth, but that’s probably appropriate for students who are still developing abstract thinking.
A tessellation. Image via Wikipedia.
I’m usually a bit cautious about the utility of contests. Their primary benefit is in the work that they motivate, not the reward (or hope of a reward) at the end; although, students do need to learn to win or lose with equanimity.
The Guardian has an interesting article on Schechtman, whose discovery was roundly disbelieved by other scientists and he was ridiculed for years.
In an interview this year with the Israeli newspaper, Haaretz, Shechtman said: “People just laughed at me.” He recalled how Linus Pauling, a colossus of science and a double Nobel laureate, mounted a frightening “crusade” against him. After telling Shechtman to go back and read a crystallography textbook, the head of his research group asked him to leave for “bringing disgrace” on the team. “I felt rejected,” Shachtman said.
Elegant in its simplicity but profound in its application, the Pythagorean Theorem is one of the fundamentals of geometry. Mathematician Alexander Bogomolny has dedicated a page to cataloging 93 ways of proving the theorem (he also has, on a separate page, six wrong proofs).
Some of the proofs are simple and elegant. Others are quite elaborate, but the page is a nice place to skim through, and Bogomolny has some neat, interactive applets for demonstrations. The Wikipedia article on the theorem also has some nice animated gifs that are worth a look.
Cut the Knot is also a great website to peruse. Bogomolny is quite distraught about the state of math education, and this is his attempt to do something about it. He lays this out in his manifesto. Included in this remarkable window into the mind of a mathematician are some wonderful anecdotes about free vs. pedantic thinking and a collection of quotes that address the question, “Is math beautiful?”
Mathematics, rightly viewed, possesses not only truth, but supreme beauty — a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show.