KCL: Current flow into a node must equal the flow out of the node. (A node is a point on the wire connecting components in a circuit–usually a junction).
KVC: The sum of all the voltage differences in a closed loop is zero.
Things get more interesting when we get away from simple circuits.
Note that the convention for drawing diagrams is that the current move from positive (+) to negative (-) terminals in a battery. This is opposite the actual flow of electrons in a typical wired circuit because the current is a measure of the movement of negatively charged electrons, but is used for historical reasons.
Part of physical science for the middle school is to start going beyond the conceptual, and making the connection between equations in science and algebra. So, we’ve started making note cards for the numerous laws we’ve encountered so far.
For the student who asked how do we know about black holes if we can’t see them. From NASA. Based on the paper: http://www.nasa.gov/mission_pages/chandra/destroyed-star-rains-onto-black-hole-winds-blow-it-back.html
I need some students to try this at school. Muscle fibers that contract on heating sounds like a great way to open and close vents for air circulation (in the chicken coop to start with).
Perhaps not surprisingly, my middle school students have a difficult time wrapping their heads around the idea of multiple frames of reference. We were in a canoe on the Current River and I asked the student paddling in the rear of the boat to look at me and answer the question, “Are we in the canoe moving, or are we steady in one spot and everything around us moving?”
This resulted in some serious cognitive processing. And she still has not gotten back to me with an answer.
Another student, faced with the same question, thought it over overnight and concluded that it was a riddle. He figured the correct answer was that the canoe was moving and the land was still. I asked him to think about it a little more (because he was only half right).
Interestingly enough, I’ll be teaching my Advanced Physics class this block, and the first chapter has a neat little section on coordinate systems. I’m curious to see if the 11th and 12th graders have an easier time with the concept.
I’ve been avoiding working with the Arduino microcontrollers because I’d prefer to be able to program in Python with the Raspberry Pi (for example). However, since the 3d printer we just built this summer uses an Arduino for a brain, I broke down and picked up the Arduino Starter Kit (via Adafruit).
What I liked most about the Starter Kit most is the Arduino Projects Book that comes with it. It’s a wonderful introduction to circuits, electronics, circuit diagrams, and microcontrollers at the beginners level. If I offer an Arduino elective, I’ll use it as a textbook. Indeed, I’ll probably use bits of it as a reference when I teach circuits in middle school and Advanced Physics.
As for the programming, the basics, at least, are pretty straightforward. I got a blinking LED controlled by a switch input up an running pretty quickly. The code requires two loops, one to set up the inputs and the output, and a loop for the program to follow. The code below has a blinking light that’s controlled via pin 4, but changes to a solid light when the switch is pressed (the input for the switch is pin 2). The wiring for the circuit is shown in the picture at the top of the page.
Pluck a string on a guitar and the sound you hear depends on how fast it vibrates. The frequency is how many times it vibrates back and forth in each second. An A4 note has a frequency of 440 vibrations per second (one vibration per second is one Hertz).
The vibration frequency of a guitar string depends on three things:
the mass of the string
the tension on the string (how tight it’s pulled)
and, the length of the string.
Guitar string sets come with wires of different masses. The guitar has little knobs on the end for adjusting the tension. For building the guitar, you have the most control over the last last parameter, the length of the string, which is called the scale length. Since the guitar string masses are pretty much set, and the strings can only hold so much tension, there are limits to the scale length you can choose for your guitar.
In a guitar, the scale length only refers to the length of the string that’s actually vibrating when you pluck the string, so it’s the distance between the nut and the bridge. For many guitars this turns out to be about 24.75 inches.
Frets
To play different notes, you shorten the vibrating length of the string by using your finger to hold down the string somewhere along the neck of the instrument. The fret board (which is attached to the neck) has a set of marks to help locate the fingering for the different notes. How do you determine where the fret marks are located?
Well, the music of math post showed how the frequency of different notes are related by a common ratio (r). With:
So given the notes:
Note Number (n)
Note
0
C
1
C#
2
D
3
D#
4
E
5
F
6
F#
7
G
8
G#
9
A
10
A#
11
B
12
C
Since the equation for the frequency of a note is:
we can find the length the string needs to be to play each note if we know the relationship between the frequency of the string (f) and the length of the string (l).
It turns out that the length is inversely proportional to the frequency.
So we can calculate the length of string for each note (ln) as a fraction of the scale length (Ls).
substituting for fn gives:
but since we know the length for f0 is the scale length (Ls) (that inverse relationship again):
giving:
When we play the different notes on the guitar, we move our fingers along the neck to shorten the vibrating parts of the string, so the base of the string stays at the same place–at the bridge. So, to mark where we need to place our fingers for each note, we put in marks at the right distance from the bridge. These marks are called frets, and we’ll call the distance from the bridge to each mark the fret distance (D_n). So we reformulate our formula to subtract the length of the vibrating string from the scale length of the guitar:
The fret marks are cut into a fret board that was supplied by the guitarbuilding team, which we glued onto the necks of our guitars. We did, however, have to add our own fret wire.
The team also has an activity for students to use a formula (a different one that’s recursive) to calculate the fret distance, but the Excel spreadsheet fret-spacing.xls can be used for reference (though it’s a good exercise for students to make their own).